CHORA
The photographic series “Chora” is created using an analog stereo process. By utilizing red-green glasses, it produces a three-dimensional depth that enables an immersive experience of the depicted scenes. The title refers to Plato’s concept of “Chora” as the primordial space of becoming. Sunder-Plassmann views her works as the visual localization of fleeting realities. The series displays everyday Cuban scenes within the tension between stagnation and change, while simultaneously making social fragility tangible.
Andrea Sunder-Plassmann is a visual artist, curator, and former professor with a strongly international practice. She has initiated numerous projects abroad, particularly in Latin America, working in countries such as Cuba, Peru, and Colombia.
In 2009, she co-founded the research project senseLAB alongside Dagmar Wohler and Frency Fernández, which explores sensory perception in artistic and social contexts. This led to a deep connection with Cuba; today, she is regularly in Havana and serves as a “Professora Invitada” at the ISA (Universidad de las Artes).